Helicon Focus is a program for focus stacking. Program selects focused areas from multiple source images and combines them into one perfectly focused image with extended depth-of-field. Focus stacking is a popular photography technique that gives ultra sharp images. Helicon Focus is another software that many photographers use for focus. ![]() Contents • • • • Overview [ ] Helicon Focus can be used to increase DOF in any situation, though its primary uses are in, and photo-microscopy. In macro photography, the DOF is often very small. To increase it, Helicon Focus is capable of merging several differently focused images together to create one image where the subject is entirely in focus. In landscape photography, where the entire frame is often preferred to be in focus (such as distant clouds and an object of interest in the foreground), Focus can be used to blend photos together to create a desired result. Landesk software. Features [ ] • Automatic adjustments during stacking • 'Dust map' for removing black points from the resulting images • Supports most common file types, including RAW, TIFF, JPEG, JPEG 2000, and BMP • Can add text and a scale bar • 3D stack visualization and export • (In Pro) Retouch brushes to manually brush in any focused (or unfocused) areas that weren't merged properly • (In Pro) Create panoramas • Create image stack animations • Batch processing See also [ ] • • External links [ ] • • Pictures and technic. ![]() F ocus-stacking promises to achieve the seemingly impossible: creating images with near-infinite depth of field, from the tiniest tundra flower just inches from the lens to the most distant peaks. Hanging indent in word 2016. In of my focus-stacking articles, I described the best shooting technique in the field and how to use Photoshop CC 2014 to merge the focus-stacked images. In this blog post I’ll discuss Helicon Focus, a dedicated focus-stacking program that can produce still better results. Let’s start with the program’s virtues. Helicon Focus offers three different focus-stacking algorithms, labeled simply A, B, and C. Each has its own strengths and weaknesses. The help files offer some general guidance as to which method will work best for particular types of subjects, but the best advice is simply to try all three. Fortunately, the software makes it easy to do so. The single biggest problem in focus-stacking is the creation of out-of-focus haloes around the edges of sharp foreground objects. In some cases, these haloes are inevitable, because no frame in the focus-stacked series contains sharp image data in the halo region. In the frame focused on the foreground, all of the background is blurry; in the frame focused on the background, all of the background is sharp except the region that is behind the blurry foreground. Unfortunately, that blurry foreground is actually larger than the sharp version of the foreground. Superimpose the sharp foreground on its blurry counterpart, and you’ve got a fuzzy halo around every foreground element. Aams mastering software. The most problematic subjects are those shot with a telephoto where the region immediately behind the foreground is a long distance away.
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